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all right

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[Music]

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come Blast Off In My Time Machine sir I

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feel like an evizing Blast Off Blast Off

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Blast Off blast off

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foreign

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Blast Off on another epic episode of the

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hyper anomalous esoteric research

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organization podcast AKA hero paranormal

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broadcasting from the base at lamadre

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Mountain just south of area 51. my name

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is Ryan the Paranormal pontificator of

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the airwaves bringing you a passionate

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podcast today

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on today's podcast we have the ever

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brilliant

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author coach musician speaker and

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founder of the conscious Music School

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Simon siddle working at the intersection

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of music and Shamanism he specializes in

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higher Consciousness studies and

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practices

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Simon helps musicians bring higher

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Consciousness into their skill sets and

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then into their music

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his overarching mission is to nurture in

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the flowering in the west a musical

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culture that actually benefits the

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psychic health of the populace

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to reveal to both audiences and

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musicians the true shamanic powers and

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dangers of music

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to restore the West's valuing and

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acknowledgment of music as a high

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magical art form

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we are going to delve into the reality

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of the power music holds how demonic

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entities

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have been introduced in music

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historically and what those possible

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effects have been

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among Simon's long list of credentials

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he is also an astrologer head coach and

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expert of Music Theory allowing him the

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keys to be able to deconstruct complex

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symphonies

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and explain them in layman's terms

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aside from his astounding background of

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accomplishments and his ever-increasing

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knowledge base

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Simon is one of the nicest guys around

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which is why I've always enjoyed talking

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to him whether on the air or off

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this is going to be a real pleasure

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Simon welcome to the hero paranormal

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podcast thank you very much it's a

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pleasure to be back and thank you for

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that lovely introduction of course

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there's so much ground to cover and uh

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you're just the guy to do it there's

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been a long history of how music has

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been used in magic and by the elites and

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basically those who know no and those

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who don't don't music is a high magical

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art form uh what got you going along

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this path and

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um

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music is a ritual where is it in today's

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society

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okay uh quickly about where I got on

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this path

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um

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I have this feeling when I was 17 or 18.

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I I started learning music when I was

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10. by the time I was at College

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studying it at 17 or 18 and teachers

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were trying to teach me lots of

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technical complicated things about music

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while I was you know happy to absorb

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that kind of thing I felt like the

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education I was getting was missing out

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on the

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the subtler emotional and energetic

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aspects of music

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um and how that's

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changed over time and how

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um

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really musicians are

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are working in that realm from the start

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um

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I found that you know when you go to a

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university or college about it because

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it's a field of of

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um

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what do you call it

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um

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Academia that they have to

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um

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pull it apart on a mental plane in order

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to justify

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them except that with something like art

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you know the visual art or music or

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something like that

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in the background there is something

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that is more important than anything

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that the mind can really

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um structure and grapple with properly

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that is the very reason why the artist

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or the musician is doing it in the first

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place

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and it became obvious to me by the time

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I was 20 that

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music education

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really not just not dealing with this

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but we're avoiding it

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so it became obvious to me

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um that this was something that I had to

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explore for myself

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um I even caused

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consternation with my my composition

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teachers at University by simply going

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to them and saying I wrote this piece

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it's a stream of Consciousness there is

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no intellectual reason or structure as

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to why I wrote it you'll have to accept

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it or not can you mark that please and

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they found that very very concerning and

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difficult

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so there was the start of me

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down this path

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um I've always been interested in you

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know the the subtler aspects of the mind

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and energy states and things like that I

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started learning astrology when I was 11

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or 12 so

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I guess I've always been set up in some

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way or to to to take this path

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uh what was the second question again

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yes where do you believe that the ritual

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of Music being used as a High magical

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art form is in today's society

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right okay

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well

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a slight sideways turn on that on that

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have you noticed in the past two or

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three years

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that a vast chunk of the population of

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the West

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has started to behave in less and less

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rational and balanced emotional and

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intellectual manners

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I

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believe that what we are going through

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right now you know some of it may be

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down to uh simply the things that people

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have chosen to inject in themselves

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recently

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um but one aspects of it

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um but another aspect of it is I think

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we are beginning to experience what I

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call the thick end of the wedge

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the sin end of the wedge being the way

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that our minds have been conditioned to

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have certain values and to ignore

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certain other values over the past 100

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years 200 years

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um something that can be

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traced through the history of music and

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possibly through the history of art as

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well that that's not my nearly Earth

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um

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and I think that recently enough of the

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things that used to be

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humanizing aspects

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um inside music aspects that would bring

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us to higher parts of ourselves

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I think they have now been successfully

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removed to such a degree and for such a

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length of time now that

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the forces behind this movement be they

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human or non-corporeal or whatever they

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are I couldn't say what they are I just

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know that they're there

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I think that those forces have come to

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realize that now is the time that where

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they can put their foot down on the

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pedal without

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um suffering too much of a backlash

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because people's

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values about what they want in their

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well you might call it art but nowadays

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it's mainly entertainment isn't it what

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values they they seek inside their music

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and their art has become so thread there

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that it's possible to feed people well

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downright demonic stuff and it's having

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a faster and stronger and more immediate

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effect than it ever has before

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and that's what I see

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as the the background push

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to the way that our society is well

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frankly losing its mind

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absolutely and before we get too far

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down this because this is going to be a

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long chain we're going to go deep and

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dark here in just a moment

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I want to uh shine a little bit of light

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on the beacon that you are base that

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basically you are in this in this genre

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and the work you're doing and where

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people can keep in touch with your work

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sign up for your courses figure out the

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powers and the dangers of music and rise

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above them can we tell our listeners

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where they can

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they can get more Simon yes yes

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um I'll I'll speak about uh what I offer

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a little bit later but if you want to

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sort of um check me out right now you

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can find me on the net uh at the

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consciousmusicschool.com

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and if you go on Facebook you can find I

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have a page on Facebook called the

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conscious music school so you can check

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me out in both of those places that's

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wonderful I know I'm going to be signing

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up I highly recommend it to all of my

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listeners this is something that um you

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know historically

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music was originated in

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royalty I mean the priesthood class and

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that of royalty would use these magnetic

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magical rituals of music and the powers

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it holds and I I just think back to

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elopez Levy's transcendental magic book

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with a passage he had in there about the

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triple chain and how the great work and

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Practical Magic after the education of

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Will and the personal creation of the

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Magus is the formation of the magnetic

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chain and these were once accepted and

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propagated science that were a force of

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themselves in early centuries and it

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seems they are still being used but not

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in plain sight at least

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not to the average listener you know we

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have the very famous now operation

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Mockingbird which was a large-scale

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program in the United States

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put on by the Central Intelligence

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Agency that began in the early years of

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the Cold War and attempted to manipulate

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domestic American news media and organ

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organizations for propaganda purposes

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and music was not off the table this was

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in fact one of their main focuses

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you hear it often you know this joke and

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this is a lot of times how the truth is

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told in plain sight you know this joke

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that if you want to be in the music

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industry you have to sell your soul to

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be in it you hear it from a variety of

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people whether it is you know conspiracy

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theorists Like Jesse Ventura David Ike

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you know this is Bob Dylan admitting it

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openly an interview that's right yeah

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so it's not just a conspiracy theory

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this is this is something where it does

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seem as if the elite or the Illuminati

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if you want to call them that influence

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entertainment and the entertainment

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Industries although I don't like the

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term Illuminati because I don't believe

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it's one-sided I think there is good and

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evil and this would definitely be the

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secret group on the side of evil

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and it is it's basically

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there's countless websites devoted to

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this very idea the entertainment

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industry is one of the Avenues that has

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been traditionally held to can take

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control and power over the people have

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you noticed this in recent years

284
00:13:17,990 --> 00:13:13,920
yes I would I would take issue with the

285
00:13:20,810 --> 00:13:18,000
idea that this this use of magic uh the

286
00:13:23,509 --> 00:13:20,820
magical power inside music has always

287
00:13:27,590 --> 00:13:23,519
been The Preserve of the rich people and

288
00:13:30,050 --> 00:13:27,600
the royalty I would I would uh suggest

289
00:13:32,269 --> 00:13:30,060
that actually what happened is that

290
00:13:34,670 --> 00:13:32,279
it was originally people who were

291
00:13:37,370 --> 00:13:34,680
genuinely interested in music and

292
00:13:39,889 --> 00:13:37,380
genuinely interested in sound

293
00:13:42,410 --> 00:13:39,899
um some of whom may have been shamans in

294
00:13:44,150 --> 00:13:42,420
the first place who actually discovered

295
00:13:48,250 --> 00:13:44,160
all of this stuff and started using it

296
00:13:51,949 --> 00:13:48,260
for probably more human and

297
00:13:53,449 --> 00:13:51,959
pro-human and and pro-society

298
00:13:55,250 --> 00:13:53,459
um uses

299
00:13:58,310 --> 00:13:55,260
and yet

300
00:14:01,449 --> 00:13:58,320
as with all things the rich folk and the

301
00:14:06,710 --> 00:14:01,459
folk who think they're in charge decide

302
00:14:10,430 --> 00:14:06,720
that anything which has a power to have

303
00:14:13,129 --> 00:14:10,440
a large influence over Mass numbers of

304
00:14:16,730 --> 00:14:13,139
people is something that they ought to

305
00:14:18,650 --> 00:14:16,740
take over and keep us there preserved

306
00:14:22,610 --> 00:14:18,660
and

307
00:14:24,769 --> 00:14:22,620
while they do that they also

308
00:14:31,190 --> 00:14:27,889
they also lessen the

309
00:14:35,090 --> 00:14:31,200
public perception of how important and

310
00:14:38,870 --> 00:14:35,100
how powerful these methods are so that

311
00:14:40,670 --> 00:14:38,880
nobody will even go looking to find the

312
00:14:42,230 --> 00:14:40,680
magical powers in it again so they can

313
00:14:45,650 --> 00:14:42,240
keep it and preserve it for their own

314
00:14:52,490 --> 00:14:45,660
uses and nobody else will step on their

315
00:15:01,189 --> 00:14:55,670
yeah I think that's very key moreover

316
00:15:03,650 --> 00:15:01,199
the this musical entertainment toolbox

317
00:15:05,210 --> 00:15:03,660
that many have become familiar with as

318
00:15:08,030 --> 00:15:05,220
mainstream

319
00:15:10,850 --> 00:15:08,040
um among those you know I I think that

320
00:15:13,970 --> 00:15:10,860
we have things like Disney with their

321
00:15:17,509 --> 00:15:13,980
child uh Nickelodeon with their

322
00:15:20,689 --> 00:15:17,519
childhood music shows we have a more

323
00:15:23,750 --> 00:15:20,699
consequence obviously the and I think a

324
00:15:26,090 --> 00:15:23,760
Super Key obvious point that magnifies

325
00:15:28,310 --> 00:15:26,100
everything is when you have the Super

326
00:15:30,790 --> 00:15:28,320
Bowl halftime show each year here in the

327
00:15:34,189 --> 00:15:30,800
United States well don't get me stopped

328
00:15:36,230 --> 00:15:34,199
it's it's like it it's like watching an

329
00:15:37,210 --> 00:15:36,240
ancient Rite of initiation a lot of

330
00:15:40,009 --> 00:15:37,220
times

331
00:15:42,530 --> 00:15:40,019
what are your thoughts about how in more

332
00:15:44,509 --> 00:15:42,540
modern times some of it is quite blatant

333
00:15:46,250 --> 00:15:44,519
and some of it especially when dealing

334
00:15:49,910 --> 00:15:46,260
with children is more

335
00:15:52,189 --> 00:15:49,920
hidden well yeah um

336
00:15:57,650 --> 00:15:52,199
let's be straight here

337
00:16:00,410 --> 00:15:57,660
music has the power to entrain the mind

338
00:16:02,569 --> 00:16:00,420
um anybody who was ever starting to

339
00:16:05,269 --> 00:16:02,579
listen to a piece of music and they've

340
00:16:07,610 --> 00:16:05,279
lost five minutes of their life tapping

341
00:16:09,889 --> 00:16:07,620
their foot and then they sort of come to

342
00:16:11,629 --> 00:16:09,899
afterwards and go oh that was nice

343
00:16:13,430 --> 00:16:11,639
not knowing what really happened in

344
00:16:15,470 --> 00:16:13,440
those five minutes yeah you've been

345
00:16:18,650 --> 00:16:15,480
through entrainment

346
00:16:21,290 --> 00:16:18,660
just to throw a little

347
00:16:24,769 --> 00:16:21,300
uh juicy

348
00:16:27,230 --> 00:16:24,779
um moment into it just to point out that

349
00:16:30,410 --> 00:16:27,240
the word entertainment

350
00:16:33,430 --> 00:16:30,420
is the same as the word entrainment with

351
00:16:33,440 --> 00:16:37,329
this is

352
00:16:44,629 --> 00:16:40,730
wild interest while using music to

353
00:16:46,310 --> 00:16:44,639
entrain is a Perfectly Natural and

354
00:16:50,210 --> 00:16:46,320
useful thing

355
00:16:52,610 --> 00:16:50,220
Within The Artful

356
00:16:55,370 --> 00:16:52,620
it's it's not it's not good it's not

357
00:16:57,710 --> 00:16:55,380
evil it's just part of its function and

358
00:17:01,129 --> 00:16:57,720
it can be used in any way

359
00:17:03,530 --> 00:17:01,139
um it is a completely subconscious thing

360
00:17:05,750 --> 00:17:03,540
that goes on within music and that's

361
00:17:06,530 --> 00:17:05,760
something that cannot be helped you

362
00:17:07,250 --> 00:17:06,540
can't

363
00:17:10,069 --> 00:17:07,260
um

364
00:17:14,270 --> 00:17:10,079
you can't remain fully conscious while

365
00:17:17,870 --> 00:17:14,280
you're being entrained by and use it but

366
00:17:19,390 --> 00:17:17,880
we all have to remember that it is a

367
00:17:23,270 --> 00:17:19,400
conscious choice

368
00:17:25,429 --> 00:17:23,280
what music you choose to let him train

369
00:17:28,850 --> 00:17:25,439
you

370
00:17:30,530 --> 00:17:28,860
now if music is

371
00:17:32,870 --> 00:17:30,540
simple

372
00:17:36,950 --> 00:17:32,880
barbaric

373
00:17:40,130 --> 00:17:36,960
uh computer-like robot like

374
00:17:44,470 --> 00:17:40,140
um devoid of

375
00:17:49,909 --> 00:17:44,480
uh complexity devoid of self-reflection

376
00:17:52,850 --> 00:17:49,919
devoid of an intent to raise the human

377
00:17:55,970 --> 00:17:52,860
who experiences the music

378
00:17:59,330 --> 00:17:55,980
and you volunteer to entrain yourself

379
00:18:03,110 --> 00:17:59,340
with that music then you are possibly

380
00:18:05,450 --> 00:18:03,120
doing damage to yourself so while

381
00:18:09,169 --> 00:18:05,460
you can look at music and say that yes

382
00:18:12,350 --> 00:18:09,179
it is a form of magic that once you're

383
00:18:15,710 --> 00:18:12,360
listening to it you may not have a lot

384
00:18:18,470 --> 00:18:15,720
of control over what it's doing to you

385
00:18:21,230 --> 00:18:18,480
you do indeed have an awful lot of

386
00:18:24,169 --> 00:18:21,240
control over what you choose to listen

387
00:18:25,850 --> 00:18:24,179
to in the first place

388
00:18:27,350 --> 00:18:25,860
and

389
00:18:31,610 --> 00:18:27,360
what

390
00:18:37,850 --> 00:18:34,549
more popularly available more easy to

391
00:18:39,409 --> 00:18:37,860
find more in your face and pushed in

392
00:18:43,750 --> 00:18:39,419
your face than any other kind of music

393
00:18:45,549 --> 00:18:43,760
nowadays is music that is on the whole

394
00:18:47,590 --> 00:18:45,559
anti-human

395
00:18:51,409 --> 00:18:47,600
anti-compassion

396
00:18:54,770 --> 00:18:51,419
anti-intelligence and sophistication

397
00:18:57,250 --> 00:18:54,780
and this is the Crux of

398
00:19:01,669 --> 00:18:57,260
where we are going to have to make some

399
00:19:04,730 --> 00:19:01,679
strong value judgments and draw some

400
00:19:07,370 --> 00:19:04,740
strong boundary lines for ourselves

401
00:19:10,909 --> 00:19:07,380
if we are going to get back out from

402
00:19:13,970 --> 00:19:10,919
underneath the spell of what those rich

403
00:19:17,930 --> 00:19:13,980
people and those powerful people have

404
00:19:19,430 --> 00:19:17,940
chosen to use music to do to us

405
00:19:22,250 --> 00:19:19,440
quick ad here

406
00:19:24,169 --> 00:19:22,260
sorry for the Shameless self-promotion

407
00:19:26,570 --> 00:19:24,179
just to snip it here if you have not

408
00:19:30,110 --> 00:19:26,580
seen behind the paywall at hero

409
00:19:33,289 --> 00:19:30,120
paranormal please go to patreon.com look

410
00:19:35,510 --> 00:19:33,299
up hero paranormal And subscribe or you

411
00:19:36,909 --> 00:19:35,520
can do the same on podbean

412
00:19:40,490 --> 00:19:36,919
go to

413
00:19:43,430 --> 00:19:40,500
heroparanormal.com that's it thanks I'm

414
00:19:44,630 --> 00:19:43,440
very glad that you mentioned a lot of

415
00:19:46,070 --> 00:19:44,640
things that people have a hard time

416
00:19:48,650 --> 00:19:46,080
understanding and that one of the things

417
00:19:52,669 --> 00:19:48,660
you mentioned was the ET aspect which

418
00:19:54,350 --> 00:19:52,679
reminded me of a song by Katy Perry who

419
00:19:55,909 --> 00:19:54,360
used to be married to somebody I think

420
00:19:58,549 --> 00:19:55,919
very highly of which is Russell Brand

421
00:20:02,870 --> 00:19:58,559
depending on people's uh thoughts of him

422
00:20:05,930 --> 00:20:02,880
but it's interesting that she had a song

423
00:20:07,190 --> 00:20:05,940
that was called exactly that E.T and in

424
00:20:10,130 --> 00:20:07,200
the lyrics

425
00:20:12,250 --> 00:20:10,140
it said you're so hypnotizing could you

426
00:20:15,590 --> 00:20:12,260
be the devil could you be an angel

427
00:20:18,950 --> 00:20:15,600
you're touch magnetizing feels like I'm

428
00:20:22,850 --> 00:20:18,960
floating leave my body glowing and

429
00:20:24,770 --> 00:20:22,860
it goes on to talk about DNA and I know

430
00:20:26,630 --> 00:20:24,780
that a lot of people believe this song

431
00:20:30,169 --> 00:20:26,640
is about somebody she's in love with

432
00:20:32,510 --> 00:20:30,179
however no one understands exactly who

433
00:20:34,070 --> 00:20:32,520
that could have been and some have

434
00:20:36,409 --> 00:20:34,080
perpetrated that it may actually be

435
00:20:38,990 --> 00:20:36,419
Russell Brand but I think that there is

436
00:20:41,630 --> 00:20:39,000
a deeper meaning to the possibilities of

437
00:20:44,450 --> 00:20:41,640
this and that you know the

438
00:20:46,909 --> 00:20:44,460
Extraterrestrial hypothesis I mean is in

439
00:20:49,970 --> 00:20:46,919
the lyrics it's called E.T and it's not

440
00:20:51,289 --> 00:20:49,980
it it's very strange how music always

441
00:20:55,909 --> 00:20:51,299
brings

442
00:20:58,010 --> 00:20:55,919
sort of these darker elements to to the

443
00:21:00,230 --> 00:20:58,020
reality and I think it was Nietzsche who

444
00:21:02,529 --> 00:21:00,240
said without music life would be a

445
00:21:07,430 --> 00:21:02,539
mistake and here here is a guy that

446
00:21:09,470 --> 00:21:07,440
basically argued uh he you know his

447
00:21:11,570 --> 00:21:09,480
philosophy that seemed to dominate a lot

448
00:21:14,750 --> 00:21:11,580
of the century with uh proposing things

449
00:21:17,510 --> 00:21:14,760
like nihilism and where does the

450
00:21:20,690 --> 00:21:17,520
mystical left-hand path and music unite

451
00:21:20,700 --> 00:21:28,490
it's a very very long way back music is

452
00:21:33,230 --> 00:21:30,770
um some this is something that

453
00:21:35,090 --> 00:21:33,240
um modern scientific research has begun

454
00:21:38,810 --> 00:21:35,100
to uh uncover

455
00:21:41,330 --> 00:21:38,820
is the idea that the the way the human

456
00:21:44,149 --> 00:21:41,340
mind processes music

457
00:21:47,149 --> 00:21:44,159
seems to

458
00:21:49,130 --> 00:21:47,159
um involve more parts of the brain even

459
00:21:51,409 --> 00:21:49,140
than speech

460
00:21:55,610 --> 00:21:51,419
and there are a lot of people suggesting

461
00:21:59,330 --> 00:21:55,620
that musical behavior in human beings is

462
00:22:02,090 --> 00:21:59,340
actually a behavior older than uh spoken

463
00:22:07,549 --> 00:22:04,070
um it may even

464
00:22:09,590 --> 00:22:07,559
be the uh the root of spoken language in

465
00:22:12,470 --> 00:22:09,600
the first place in that some folks

466
00:22:16,549 --> 00:22:12,480
suggest that it's it's a little like

467
00:22:17,990 --> 00:22:16,559
um Birds using song to up their chances

468
00:22:20,210 --> 00:22:18,000
of mating

469
00:22:22,190 --> 00:22:20,220
um you know human beings may have made

470
00:22:25,130 --> 00:22:22,200
vocal displays in the past for the very

471
00:22:28,789 --> 00:22:25,140
same purpose or for purposes of

472
00:22:31,010 --> 00:22:28,799
uh you know um group cohesion or

473
00:22:33,529 --> 00:22:31,020
intimidation of enemies or whatever it

474
00:22:36,590 --> 00:22:33,539
might be but that

475
00:22:40,789 --> 00:22:36,600
the the processes by which music is

476
00:22:43,669 --> 00:22:40,799
conceived of and then performed

477
00:22:47,090 --> 00:22:43,679
are something that seem to

478
00:22:48,470 --> 00:22:47,100
go underneath the processing centers of

479
00:22:52,730 --> 00:22:48,480
language

480
00:22:56,149 --> 00:22:52,740
and if that's the case then well that's

481
00:22:58,130 --> 00:22:56,159
magic surely if something is you know in

482
00:23:00,230 --> 00:22:58,140
our minds at a place lower than our

483
00:23:02,990 --> 00:23:00,240
linguistic processing then it's

484
00:23:06,830 --> 00:23:03,000
affecting our thought patterns our

485
00:23:08,090 --> 00:23:06,840
emotional behaviors and patterns in a

486
00:23:13,250 --> 00:23:08,100
way that

487
00:23:14,870 --> 00:23:13,260
well this is why we can't adequately put

488
00:23:17,450 --> 00:23:14,880
words

489
00:23:20,149 --> 00:23:17,460
to the effect of what music does to us

490
00:23:23,930 --> 00:23:20,159
it's because it's older it's more

491
00:23:27,590 --> 00:23:23,940
ancient it's more deeply ingrained in US

492
00:23:31,789 --> 00:23:27,600
yes and days before this podcast you

493
00:23:37,010 --> 00:23:31,799
sent me an array of Amazing Music many

494
00:23:40,070 --> 00:23:37,020
of them waltzes and uh others and these

495
00:23:42,649 --> 00:23:40,080
kind of definitively show a system of

496
00:23:45,230 --> 00:23:42,659
introduction which may be

497
00:23:48,049 --> 00:23:45,240
something I'd like to get into which may

498
00:23:51,830 --> 00:23:48,059
be the envelopment or the introduction

499
00:23:53,810 --> 00:23:51,840
of possible demonic attributes into

500
00:23:54,770 --> 00:23:53,820
music can we delve into that a little

501
00:23:58,610 --> 00:23:54,780
bit

502
00:23:59,630 --> 00:23:58,620
sure uh the the pieces I sent you I sent

503
00:24:00,529 --> 00:23:59,640
you

504
00:24:02,570 --> 00:24:00,539
um

505
00:24:04,190 --> 00:24:02,580
France lists

506
00:24:07,190 --> 00:24:04,200
um

507
00:24:09,970 --> 00:24:07,200
yeah forgotten the name what's his name

508
00:24:12,649 --> 00:24:09,980
Mephisto waltzes

509
00:24:15,830 --> 00:24:12,659
this is just one episode

510
00:24:18,529 --> 00:24:15,840
inside the history of music I I

511
00:24:21,830 --> 00:24:18,539
personally think that music has been

512
00:24:22,370 --> 00:24:21,840
under the

513
00:24:26,270 --> 00:24:22,380
um

514
00:24:29,630 --> 00:24:26,280
the control of the rich and the powerful

515
00:24:31,250 --> 00:24:29,640
for a very long time

516
00:24:32,890 --> 00:24:31,260
um now I'm

517
00:24:34,850 --> 00:24:32,900
segwaying between

518
00:24:37,010 --> 00:24:34,860
non-corporeal influences and the rich

519
00:24:38,810 --> 00:24:37,020
and Powerful but actually I personally

520
00:24:40,250 --> 00:24:38,820
believe that the rich and Powerful are

521
00:24:42,350 --> 00:24:40,260
usually under the influence of

522
00:24:44,390 --> 00:24:42,360
non-corporeal

523
00:24:46,789 --> 00:24:44,400
um controllers so you know it's much the

524
00:24:50,210 --> 00:24:46,799
same thing in the end but it's what I'm

525
00:24:51,289 --> 00:24:50,220
uh pointing to there by by showing you

526
00:24:56,210 --> 00:24:51,299
um

527
00:24:57,950 --> 00:24:56,220
the the list uh the sister waltzes is

528
00:25:02,450 --> 00:24:57,960
one

529
00:25:06,710 --> 00:25:02,460
episode in history where

530
00:25:08,630 --> 00:25:06,720
an element of music that had been a

531
00:25:12,230 --> 00:25:08,640
pro-human

532
00:25:16,130 --> 00:25:12,240
Pro healthy uh influence

533
00:25:17,750 --> 00:25:16,140
was invaded by something that was going

534
00:25:20,210 --> 00:25:17,760
to take music in a very different

535
00:25:20,220 --> 00:25:24,169
in the 20th century

536
00:25:26,810 --> 00:25:24,710
um

537
00:25:28,370 --> 00:25:26,820
sorry I'm struggling here because I'm

538
00:25:30,830 --> 00:25:28,380
thinking of six different things at once

539
00:25:33,830 --> 00:25:30,840
that I'm trying to bring together here

540
00:25:35,330 --> 00:25:33,840
the 20th century has seen

541
00:25:38,570 --> 00:25:35,340
um

542
00:25:41,269 --> 00:25:38,580
the complete overhaul of what we

543
00:25:42,950 --> 00:25:41,279
consider music if you look at 19th

544
00:25:44,450 --> 00:25:42,960
century music

545
00:25:48,830 --> 00:25:44,460
um it was

546
00:25:50,930 --> 00:25:48,840
almost entirely ruled by Melody Harmony

547
00:25:53,090 --> 00:25:50,940
and full

548
00:25:55,789 --> 00:25:53,100
if you look at late 20th century music

549
00:25:58,490 --> 00:25:55,799
and indeed 21st Century Music

550
00:26:02,269 --> 00:25:58,500
it seems to be entirely

551
00:26:03,409 --> 00:26:02,279
um informed by Rhythm and timbre the

552
00:26:05,870 --> 00:26:03,419
sound world

553
00:26:08,210 --> 00:26:05,880
and

554
00:26:10,310 --> 00:26:08,220
um biblical content

555
00:26:11,510 --> 00:26:10,320
more than anything else and that's a

556
00:26:13,430 --> 00:26:11,520
hell of a leap

557
00:26:14,710 --> 00:26:13,440
to go from one place to the other and

558
00:26:16,730 --> 00:26:14,720
it's not something that happened

559
00:26:19,310 --> 00:26:16,740
instantaneously it's it's something that

560
00:26:21,529 --> 00:26:19,320
happened over that whole century and

561
00:26:22,669 --> 00:26:21,539
indeed before the turn of the 20th

562
00:26:23,810 --> 00:26:22,679
century

563
00:26:26,510 --> 00:26:23,820
and

564
00:26:27,830 --> 00:26:26,520
it could not happen in one instant

565
00:26:30,710 --> 00:26:27,840
because

566
00:26:32,690 --> 00:26:30,720
the audiences of the time would not

567
00:26:35,870 --> 00:26:32,700
accept music that had just thrown away

568
00:26:38,690 --> 00:26:35,880
all those values so it had to be

569
00:26:41,630 --> 00:26:38,700
etched away at chipped away at slowly

570
00:26:43,789 --> 00:26:41,640
so that these things could be let in now

571
00:26:47,570 --> 00:26:43,799
the the episode that I'm talking about

572
00:26:50,570 --> 00:26:47,580
here is pointing to What's called the

573
00:26:54,250 --> 00:26:50,580
emancipation of dissonance the the

574
00:26:57,590 --> 00:26:54,260
moment in the early 20th century when

575
00:27:01,330 --> 00:26:57,600
complete lack of tonality a tonality

576
00:27:05,330 --> 00:27:01,340
such as Schoenberg and Weber

577
00:27:08,210 --> 00:27:05,340
first reared its head the idea that

578
00:27:11,630 --> 00:27:08,220
within a piece of music there is no

579
00:27:15,409 --> 00:27:11,640
single frequency no tone that is a home

580
00:27:20,090 --> 00:27:15,419
that is a beacon that that has been lost

581
00:27:23,750 --> 00:27:20,100
entirely and now we are in a a sea of

582
00:27:25,310 --> 00:27:23,760
equal possibilities with no hierarchical

583
00:27:29,029 --> 00:27:25,320
structure to it

584
00:27:31,269 --> 00:27:29,039
the the the the value of

585
00:27:35,029 --> 00:27:31,279
uh resonance

586
00:27:38,810 --> 00:27:35,039
and Harmony that was something that the

587
00:27:40,970 --> 00:27:38,820
mind could instinctually calculate

588
00:27:42,350 --> 00:27:40,980
um all human beings can tell the

589
00:27:43,970 --> 00:27:42,360
difference between dissonance and

590
00:27:45,529 --> 00:27:43,980
consonants without really thinking about

591
00:27:49,269 --> 00:27:45,539
it you can see it by the way somebody

592
00:27:53,330 --> 00:27:49,279
either Smiles or pulls a funny face yeah

593
00:27:54,710 --> 00:27:53,340
it's a physiological hit on the body and

594
00:27:58,669 --> 00:27:54,720
that

595
00:28:01,250 --> 00:27:58,679
uh value in music was to some degree

596
00:28:04,610 --> 00:28:01,260
thrown away at the start of the 20th

597
00:28:09,169 --> 00:28:04,620
century now that could not have happened

598
00:28:12,830 --> 00:28:09,179
if tonality had not been pushed to its

599
00:28:15,110 --> 00:28:12,840
Outer Limits beforehand

600
00:28:19,070 --> 00:28:15,120
um what I'm pointing to when I uh when I

601
00:28:22,850 --> 00:28:19,080
sent you the sister waltzes is the

602
00:28:25,789 --> 00:28:22,860
precursor to a very famous moment in

603
00:28:28,450 --> 00:28:25,799
musical history the publication of

604
00:28:33,289 --> 00:28:28,460
Richard Wagner's Tristan and his old

605
00:28:36,590 --> 00:28:33,299
which in its Prelude has a moment where

606
00:28:39,769 --> 00:28:36,600
the a chord sequence and a Melody leave

607
00:28:42,710 --> 00:28:39,779
you in a place where you are not sure

608
00:28:45,350 --> 00:28:42,720
what key the piece is in it could be in

609
00:28:47,450 --> 00:28:45,360
one of two keys and it sits on a line

610
00:28:49,669 --> 00:28:47,460
down the middle and doesn't give you the

611
00:28:53,510 --> 00:28:49,679
answer

612
00:28:57,110 --> 00:28:53,520
and people credit Richard Wagner with

613
00:28:58,490 --> 00:28:57,120
inventing this idea but actually

614
00:29:00,590 --> 00:28:58,500
friends list

615
00:29:03,350 --> 00:29:00,600
gave him that little snippet of of

616
00:29:07,970 --> 00:29:03,360
Harmony and Melody and said you like

617
00:29:13,610 --> 00:29:10,730
so I see list despite the fact that I

618
00:29:18,289 --> 00:29:13,620
you know very much admire this as a

619
00:29:21,409 --> 00:29:18,299
musician I also see him as a vector

620
00:29:28,549 --> 00:29:24,409
some gnome corporeal Intelligence coming

621
00:29:31,549 --> 00:29:28,559
in and choosing to change the values

622
00:29:36,169 --> 00:29:31,559
that we work with in music

623
00:29:39,950 --> 00:29:38,630
and

624
00:29:41,029 --> 00:29:39,960
sorry something just went off on my

625
00:29:41,930 --> 00:29:41,039
phone there for a second I lost my

626
00:29:44,690 --> 00:29:41,940
thread

627
00:29:49,610 --> 00:29:46,789
you can hear

628
00:29:52,310 --> 00:29:49,620
the introduction of these what I might

629
00:29:56,870 --> 00:29:52,320
call non-human influences

630
00:29:58,310 --> 00:29:56,880
in the Mephisto waltzes that list wrote

631
00:30:00,470 --> 00:29:58,320
um I don't know what your reaction to

632
00:30:03,289 --> 00:30:00,480
listening to those those pieces was that

633
00:30:06,649 --> 00:30:03,299
my reaction is

634
00:30:12,350 --> 00:30:10,130
almost like he's insulting

635
00:30:14,510 --> 00:30:12,360
some of the

636
00:30:16,490 --> 00:30:14,520
strongly held ideas

637
00:30:19,549 --> 00:30:16,500
that were around

638
00:30:23,029 --> 00:30:19,559
um in music composition in the second

639
00:30:25,570 --> 00:30:23,039
half of the 19th century those pieces do

640
00:30:30,669 --> 00:30:25,580
not end in any kind of

641
00:30:32,590 --> 00:30:30,679
satisfying or conclusive way for a start

642
00:30:35,630 --> 00:30:32,600
they have

643
00:30:38,990 --> 00:30:35,640
motoric and repetitive elements to them

644
00:30:41,090 --> 00:30:39,000
that seem barbaric and guttle by

645
00:30:42,769 --> 00:30:41,100
comparison with a lot of music that was

646
00:30:46,549 --> 00:30:42,779
being written at the time

647
00:30:46,559 --> 00:30:51,230
there to provoke

648
00:30:58,549 --> 00:30:55,490
emotions in The Listener which are

649
00:31:01,250 --> 00:30:58,559
not Disturbed troubled

650
00:31:02,769 --> 00:31:01,260
and

651
00:31:06,590 --> 00:31:02,779
I'm really just

652
00:31:10,610 --> 00:31:06,600
uh trying to illustrate here just one

653
00:31:12,169 --> 00:31:10,620
little chapter inside what's what I sort

654
00:31:14,690 --> 00:31:12,179
of uh

655
00:31:17,169 --> 00:31:14,700
followed in the last 150 years of the

656
00:31:19,490 --> 00:31:17,179
history of music as piece by piece

657
00:31:22,370 --> 00:31:19,500
certain parts

658
00:31:25,370 --> 00:31:22,380
of what used to be considered

659
00:31:28,250 --> 00:31:25,380
the values inside music have slowly been

660
00:31:32,090 --> 00:31:28,260
worn away and thrown away

661
00:31:33,110 --> 00:31:32,100
until we are left with

662
00:31:35,570 --> 00:31:33,120
um

663
00:31:37,669 --> 00:31:35,580
texture

664
00:31:41,210 --> 00:31:37,679
um essentially machines

665
00:31:45,049 --> 00:31:41,220
producing the complexity inside music

666
00:31:48,230 --> 00:31:45,059
while the the human element has been

667
00:31:51,350 --> 00:31:48,240
pushed right to the edge

668
00:31:53,930 --> 00:31:51,360
of the whole mix and indeed the only

669
00:31:54,710 --> 00:31:53,940
human thing that you hear inside a lot

670
00:31:57,529 --> 00:31:54,720
of

671
00:32:00,370 --> 00:31:57,539
music published in the last 20 years you

672
00:32:02,750 --> 00:32:00,380
know pop music and things like that

673
00:32:04,490 --> 00:32:02,760
is The Voice

674
00:32:08,590 --> 00:32:04,500
everything else is done by a machine

675
00:32:11,510 --> 00:32:08,600
everything else is certifiably uh

676
00:32:14,510 --> 00:32:11,520
machinistic in the way that it produces

677
00:32:17,149 --> 00:32:14,520
it in a repetitively perfect way that a

678
00:32:19,850 --> 00:32:17,159
human being not only couldn't do

679
00:32:24,310 --> 00:32:19,860
but wouldn't choose to even if they

680
00:32:28,190 --> 00:32:24,320
could there is a magic inside the

681
00:32:29,269 --> 00:32:28,200
subconsciously charged inflection in

682
00:32:32,570 --> 00:32:29,279
performance

683
00:32:36,529 --> 00:32:32,580
you know if you ask a a a live musician

684
00:32:37,909 --> 00:32:36,539
to play the same riff eight times in a

685
00:32:40,610 --> 00:32:37,919
row

686
00:32:43,130 --> 00:32:40,620
none of those risks will be exactly the

687
00:32:45,710 --> 00:32:43,140
same and that is a subtlety inside music

688
00:32:47,990 --> 00:32:45,720
that I think is a valuable thing and

689
00:32:50,090 --> 00:32:48,000
when we come to a place where

690
00:32:52,730 --> 00:32:50,100
you you know you listen to a record and

691
00:32:55,130 --> 00:32:52,740
essentially you're listening to four

692
00:32:57,610 --> 00:32:55,140
seconds of information

693
00:33:01,070 --> 00:32:57,620
just repeated round and round and round

694
00:33:04,310 --> 00:33:01,080
with a human voice over the top then

695
00:33:07,430 --> 00:33:04,320
you've already had some of the subtler

696
00:33:08,510 --> 00:33:07,440
information within that music stripped

697
00:33:11,810 --> 00:33:08,520
from it

698
00:33:14,269 --> 00:33:11,820
on top of which you'll find that an

699
00:33:16,430 --> 00:33:14,279
enormous amount of recordings nowadays

700
00:33:19,310 --> 00:33:16,440
where the human voice seems to be the

701
00:33:23,149 --> 00:33:19,320
only human part left in the music even

702
00:33:24,769 --> 00:33:23,159
the voice has been drastically

703
00:33:27,649 --> 00:33:24,779
um altered

704
00:33:28,970 --> 00:33:27,659
by computers be it

705
00:33:31,310 --> 00:33:28,980
um

706
00:33:34,070 --> 00:33:31,320
putting it back in tune if it's you know

707
00:33:37,009 --> 00:33:34,080
if it's a song melody or changing its

708
00:33:38,889 --> 00:33:37,019
timing or even

709
00:33:41,889 --> 00:33:38,899
um

710
00:33:45,430 --> 00:33:41,899
distorting it into a robot-like voice

711
00:33:48,549 --> 00:33:45,440
weird and it is non

712
00:33:51,889 --> 00:33:48,559
non-corporeal and almost

713
00:33:53,930 --> 00:33:51,899
non-inhuman you know I think

714
00:33:55,750 --> 00:33:53,940
as mentioned

715
00:33:57,769 --> 00:33:55,760
um before

716
00:34:01,789 --> 00:33:57,779
incorporating some of the artists we

717
00:34:04,009 --> 00:34:01,799
talked about Bob Dylan Katy Perry Lauryn

718
00:34:06,830 --> 00:34:04,019
Hill and even Comics like Dave Chappelle

719
00:34:09,589 --> 00:34:06,840
have all admitted that there is a group

720
00:34:11,629 --> 00:34:09,599
which many commonly call the Illuminati

721
00:34:14,149 --> 00:34:11,639
but it has other names but this group

722
00:34:15,889 --> 00:34:14,159
seems to be pulling the strings in the

723
00:34:20,389 --> 00:34:15,899
media and

724
00:34:22,970 --> 00:34:20,399
rap music gets a bad rap I guess pun

725
00:34:27,169 --> 00:34:22,980
intended but for good reason

726
00:34:29,270 --> 00:34:27,179
as you mentioned Fran's list and with

727
00:34:32,030 --> 00:34:29,280
the Wagner connection has this slipped

728
00:34:34,310 --> 00:34:32,040
into modern music because I believe hip

729
00:34:36,829 --> 00:34:34,320
hop and rap seem to have been

730
00:34:40,389 --> 00:34:36,839
infiltrated more heavily than other

731
00:34:43,609 --> 00:34:40,399
genres of the music industry messages of

732
00:34:46,430 --> 00:34:43,619
extremely low density vibrations which

733
00:34:48,889 --> 00:34:46,440
are also very repetitive right and

734
00:34:51,950 --> 00:34:48,899
barbaric provoking emotions of death

735
00:34:55,070 --> 00:34:51,960
drugs violence in the masses and besides

736
00:34:58,550 --> 00:34:55,080
keeping people down in a lot of ways

737
00:35:00,349 --> 00:34:58,560
including I I see I see rep as part of

738
00:35:02,870 --> 00:35:00,359
the thick end of the wedge that I was

739
00:35:05,810 --> 00:35:02,880
talking about earlier I like that I give

740
00:35:09,349 --> 00:35:05,820
you a short list here of some of the

741
00:35:12,470 --> 00:35:09,359
things that were values inside music 150

742
00:35:15,589 --> 00:35:12,480
years ago there was formed inside music

743
00:35:17,810 --> 00:35:15,599
there was uh themes and thematic

744
00:35:20,210 --> 00:35:17,820
exploration not not verbally and

745
00:35:23,150 --> 00:35:20,220
lyrically but musically thematic

746
00:35:25,930 --> 00:35:23,160
exploration there was consideration of

747
00:35:28,370 --> 00:35:25,940
tuning and temperament what kind of

748
00:35:31,490 --> 00:35:28,380
arrangement of pitches that you choose

749
00:35:34,910 --> 00:35:31,500
to make scales out of there was complex

750
00:35:38,390 --> 00:35:34,920
beat structure meaning that music did

751
00:35:40,910 --> 00:35:38,400
not have to Simply repeat the same

752
00:35:43,609 --> 00:35:40,920
rhythmic grooves over and over again but

753
00:35:47,750 --> 00:35:43,619
that there was a background structure to

754
00:35:49,849 --> 00:35:47,760
it that was not in uh not explicit but

755
00:35:52,370 --> 00:35:49,859
was the model

756
00:35:54,349 --> 00:35:52,380
an implicit model from which the

757
00:35:57,230 --> 00:35:54,359
explicit rhythms

758
00:35:58,970 --> 00:35:57,240
formed and those rhythms were not

759
00:36:00,890 --> 00:35:58,980
necessarily the same all the time at all

760
00:36:04,970 --> 00:36:00,900
they went through episodes of different

761
00:36:08,210 --> 00:36:04,980
forms within it yeah there was extended

762
00:36:10,310 --> 00:36:08,220
time to explore and develop the musical

763
00:36:12,170 --> 00:36:10,320
themes inside something you know that's

764
00:36:15,349 --> 00:36:12,180
something that's happened since

765
00:36:17,329 --> 00:36:15,359
um the Advent of radio play is that

766
00:36:19,370 --> 00:36:17,339
we've got Perfectly Used to the idea

767
00:36:22,250 --> 00:36:19,380
that music ought to be three minutes 30

768
00:36:23,630 --> 00:36:22,260
long or somewhere around that and to

769
00:36:25,730 --> 00:36:23,640
people who've grown up with that the

770
00:36:30,310 --> 00:36:25,740
idea of sitting down for a 45 minute

771
00:36:34,609 --> 00:36:30,320
Symphony is frankly horrifying yeah

772
00:36:38,569 --> 00:36:34,619
there's to continue this list of of uh

773
00:36:41,270 --> 00:36:38,579
values from 150 years ago there is human

774
00:36:44,390 --> 00:36:41,280
timing inside it and there is human

775
00:36:45,829 --> 00:36:44,400
volume control something that's modern

776
00:36:46,450 --> 00:36:45,839
day

777
00:36:49,790 --> 00:36:46,460
um

778
00:36:51,589 --> 00:36:49,800
computer-aided uh editing of Music gets

779
00:36:53,870 --> 00:36:51,599
rid of a lot of the time

780
00:36:57,950 --> 00:36:53,880
and then even more

781
00:37:01,910 --> 00:36:57,960
blunt and yet seemingly invisible to the

782
00:37:04,730 --> 00:37:01,920
model uh listener there is being there

783
00:37:07,970 --> 00:37:04,740
in person to listen to acoustically

784
00:37:11,810 --> 00:37:10,190
that's something that we have you know

785
00:37:13,010 --> 00:37:11,820
even though even when people think oh I

786
00:37:16,310 --> 00:37:13,020
don't want to listen to a record I want

787
00:37:21,170 --> 00:37:19,430
um if you go to a pop concert well sorry

788
00:37:22,970 --> 00:37:21,180
but you're actually just listening to a

789
00:37:24,710 --> 00:37:22,980
record and watching people dance anyway

790
00:37:27,170 --> 00:37:24,720
and in fact you're not even listening to

791
00:37:29,329 --> 00:37:27,180
such a high quality record as you would

792
00:37:32,210 --> 00:37:29,339
if you put it on in your own home

793
00:37:34,190 --> 00:37:32,220
because in a large Auditorium they can't

794
00:37:36,109 --> 00:37:34,200
afford to put things in Stereo because

795
00:37:38,270 --> 00:37:36,119
it will destroy the whole sound of it

796
00:37:40,849 --> 00:37:38,280
across such large spaces so you're

797
00:37:43,430 --> 00:37:40,859
listening to a mono recording of

798
00:37:45,410 --> 00:37:43,440
essentially the same tune

799
00:37:48,710 --> 00:37:45,420
even if that's not the case and you're

800
00:37:50,930 --> 00:37:48,720
listening to a band that band is almost

801
00:37:53,329 --> 00:37:50,940
always

802
00:37:54,230 --> 00:37:53,339
um put through a recording desk and

803
00:37:58,670 --> 00:37:54,240
through

804
00:38:02,150 --> 00:37:58,680
amplification so the actual imprint of

805
00:38:05,390 --> 00:38:02,160
the musician's muscular

806
00:38:07,370 --> 00:38:05,400
efforts to produce the sound

807
00:38:09,170 --> 00:38:07,380
is

808
00:38:12,050 --> 00:38:09,180
essentially drowned out it's essentially

809
00:38:14,750 --> 00:38:12,060
you know one percent of the actual force

810
00:38:18,290 --> 00:38:14,760
of the music hitting you 99 of it being

811
00:38:21,170 --> 00:38:18,300
electrically Amplified yeah

812
00:38:22,910 --> 00:38:21,180
and then in at the at the end of all of

813
00:38:24,109 --> 00:38:22,920
that list of

814
00:38:25,849 --> 00:38:24,119
um

815
00:38:27,770 --> 00:38:25,859
uh values

816
00:38:30,950 --> 00:38:27,780
there is

817
00:38:34,490 --> 00:38:30,960
the idea that

818
00:38:35,690 --> 00:38:34,500
well we have art that is a challenge to

819
00:38:37,970 --> 00:38:35,700
the mind

820
00:38:39,829 --> 00:38:37,980
challenge to the emotion maybe a

821
00:38:42,890 --> 00:38:39,839
challenge to the spirit

822
00:38:44,810 --> 00:38:42,900
versus entertainment

823
00:38:47,810 --> 00:38:44,820
which is

824
00:38:52,490 --> 00:38:47,820
a soccerific little treat

825
00:38:53,329 --> 00:38:52,500
to soothe you yeah and all of those

826
00:38:56,569 --> 00:38:53,339
things

827
00:39:00,109 --> 00:38:56,579
have been clearly removed

828
00:39:05,810 --> 00:39:02,990
and this is half of the reason why you

829
00:39:07,550 --> 00:39:05,820
know you you note the fact that um the

830
00:39:10,010 --> 00:39:07,560
lyrical content of rap

831
00:39:12,589 --> 00:39:10,020
is usually of an extremely low vibration

832
00:39:14,630 --> 00:39:12,599
nowadays and part of the reason for that

833
00:39:15,349 --> 00:39:14,640
is because the

834
00:39:17,990 --> 00:39:15,359
um

835
00:39:19,790 --> 00:39:18,000
I don't even want to call it the musical

836
00:39:22,130 --> 00:39:19,800
style because I don't consider it

837
00:39:24,770 --> 00:39:22,140
musical anymore at all but the the the

838
00:39:26,690 --> 00:39:24,780
style of what they're doing is so

839
00:39:28,810 --> 00:39:26,700
removed from the things inside music

840
00:39:33,470 --> 00:39:28,820
that could improve the human condition

841
00:39:34,849 --> 00:39:33,480
that it suits lyrics of extreme low

842
00:39:36,530 --> 00:39:34,859
vibration

843
00:39:40,069 --> 00:39:36,540
and it's

844
00:39:42,230 --> 00:39:40,079
that slow chipping away over decades and

845
00:39:45,890 --> 00:39:42,240
decades and decades that's got us to a

846
00:39:48,710 --> 00:39:45,900
place where people think this is normal

847
00:39:50,750 --> 00:39:48,720
and therefore they volunteer to put

848
00:39:51,470 --> 00:39:50,760
their ears to it and to be affected by

849
00:39:55,670 --> 00:39:51,480
it

850
00:39:59,270 --> 00:39:55,680
even though you know you might enjoy

851
00:40:01,609 --> 00:39:59,280
some rap it might give you

852
00:40:03,410 --> 00:40:01,619
some physiological pleasure bobbing

853
00:40:05,210 --> 00:40:03,420
along to the beat it might give you some

854
00:40:07,730 --> 00:40:05,220
mental pleasure in listening to the

855
00:40:11,030 --> 00:40:07,740
lyrical content and agreeing with some

856
00:40:14,390 --> 00:40:11,040
of the lyrical ideas inside it

857
00:40:16,550 --> 00:40:14,400
anything else that's

858
00:40:19,849 --> 00:40:16,560
uh you know was once considered

859
00:40:21,050 --> 00:40:19,859
commonplace as a uh apartment parcel of

860
00:40:22,069 --> 00:40:21,060
how you

861
00:40:25,370 --> 00:40:22,079
um

862
00:40:29,270 --> 00:40:25,380
enjoy music what it is that you can take

863
00:40:31,849 --> 00:40:29,280
from music has been bleached out of it

864
00:40:34,609 --> 00:40:31,859
I look back at my own musical

865
00:40:36,829 --> 00:40:34,619
development and how it has been

866
00:40:38,030 --> 00:40:36,839
completely programmed I remember the

867
00:40:42,770 --> 00:40:38,040
first

868
00:40:46,790 --> 00:40:42,780
vinyl album I purchased was NWA F the

869
00:40:49,690 --> 00:40:46,800
police and I remember my mom coming I do

870
00:40:52,370 --> 00:40:49,700
love that too it is amazing

871
00:40:55,130 --> 00:40:52,380
and I you know I remember my mom coming

872
00:40:57,109 --> 00:40:55,140
home early one day I was quite young and

873
00:40:58,849 --> 00:40:57,119
she heard this playing and obviously as

874
00:41:01,370 --> 00:40:58,859
any good parent would have she pulled it

875
00:41:04,130 --> 00:41:01,380
from the record player and broke it in

876
00:41:06,109 --> 00:41:04,140
half and of course I replaced it with a

877
00:41:07,970 --> 00:41:06,119
cassette because I was so smart the next

878
00:41:11,270 --> 00:41:07,980
day but

879
00:41:14,750 --> 00:41:11,280
um and that kind of Ages me but the fact

880
00:41:17,050 --> 00:41:14,760
is that there does seem to be a

881
00:41:20,450 --> 00:41:17,060
conspiracy against the populace because

882
00:41:22,970 --> 00:41:20,460
I do enjoy unfortunately from time to

883
00:41:25,490 --> 00:41:22,980
time you know like you said bobbing your

884
00:41:26,829 --> 00:41:25,500
head along to a quick rap beat but I

885
00:41:28,849 --> 00:41:26,839
can't it's come to the point

886
00:41:30,589 --> 00:41:28,859
unfortunately with the knowledge that

887
00:41:34,130 --> 00:41:30,599
you have given

888
00:41:35,810 --> 00:41:34,140
um primarily you uh and and kind of

889
00:41:39,349 --> 00:41:35,820
opened my eyes to this

890
00:41:41,150 --> 00:41:39,359
is that I'm aware of what I'm listening

891
00:41:43,010 --> 00:41:41,160
to and I can't get through an entire

892
00:41:45,710 --> 00:41:43,020
song I can enjoy it for a very short

893
00:41:48,170 --> 00:41:45,720
period of time it's much like a very hot

894
00:41:50,750 --> 00:41:48,180
salsa on a Taco you know I can enjoy a

895
00:41:53,210 --> 00:41:50,760
couple bites yes I was about to go into

896
00:41:55,490 --> 00:41:53,220
the food analogy of it because you know

897
00:42:00,470 --> 00:41:55,500
it's it's an old idea that music is food

898
00:42:02,569 --> 00:42:00,480
for the soul now you can you know to go

899
00:42:05,030 --> 00:42:02,579
with the food analogy for a moment

900
00:42:06,770 --> 00:42:05,040
you're not going to die from having a

901
00:42:09,230 --> 00:42:06,780
dirty Burger

902
00:42:11,750 --> 00:42:09,240
yeah if you if you if you choose to to

903
00:42:15,770 --> 00:42:11,760
eat some really really ghastly fast food

904
00:42:18,470 --> 00:42:15,780
one day it might make you feel a little

905
00:42:20,630 --> 00:42:18,480
less self-loved after you've ate after

906
00:42:22,010 --> 00:42:20,640
you've eaten it but the chances are it's

907
00:42:24,470 --> 00:42:22,020
not actually going to poison you to

908
00:42:27,829 --> 00:42:24,480
death in that moment we're all capable

909
00:42:29,990 --> 00:42:27,839
of surviving some low vibration

910
00:42:32,630 --> 00:42:30,000
um you know some input whether it be

911
00:42:34,670 --> 00:42:32,640
physical or sonic or whatever it is

912
00:42:36,710 --> 00:42:34,680
we're all capable of surviving some of

913
00:42:40,970 --> 00:42:36,720
that it's a matter of whether that

914
00:42:43,510 --> 00:42:40,980
becomes a regular habit

915
00:42:46,370 --> 00:42:43,520
and a matter of whether we are

916
00:42:49,310 --> 00:42:46,380
countermanding it with something that is

917
00:42:52,010 --> 00:42:49,320
considerably more healthy

918
00:42:53,750 --> 00:42:52,020
yeah which is you know it's much the

919
00:42:55,910 --> 00:42:53,760
same thing as somebody who gets addicted

920
00:42:57,530 --> 00:42:55,920
to fast food and then you offer them

921
00:43:00,290 --> 00:42:57,540
some broccoli

922
00:43:03,530 --> 00:43:00,300
and they're like uh what's that

923
00:43:05,089 --> 00:43:03,540
whereas somebody who's used to eating

924
00:43:06,710 --> 00:43:05,099
healthy food

925
00:43:10,550 --> 00:43:06,720
vegetables

926
00:43:12,890 --> 00:43:10,560
might look at some dish from a fast food

927
00:43:15,470 --> 00:43:12,900
joint and have exactly that same uh

928
00:43:18,290 --> 00:43:15,480
what's that reaction it's a matter of

929
00:43:19,430 --> 00:43:18,300
what we entrain ourselves to be able to

930
00:43:22,490 --> 00:43:19,440
enjoy

931
00:43:23,569 --> 00:43:22,500
now finding a balance would be a good

932
00:43:26,510 --> 00:43:23,579
start

933
00:43:28,190 --> 00:43:26,520
so for those in the audience that

934
00:43:30,710 --> 00:43:28,200
um are coming to the realization as

935
00:43:32,450 --> 00:43:30,720
they're listening to this that what they

936
00:43:34,250 --> 00:43:32,460
are listening to right now what they're

937
00:43:36,950 --> 00:43:34,260
they're listening

938
00:43:38,630 --> 00:43:36,960
uh environment is like not the

939
00:43:41,050 --> 00:43:38,640
environment the vocabulary of what

940
00:43:46,490 --> 00:43:41,060
they're listening to is mainly

941
00:43:48,410 --> 00:43:46,500
computerized mainly non-human mainly

942
00:43:49,609 --> 00:43:48,420
um all the low vibrational some sort or

943
00:43:53,870 --> 00:43:49,619
another

944
00:43:57,109 --> 00:43:53,880
that's okay you don't have to flip right

945
00:43:59,270 --> 00:43:57,119
over into some other kind of

946
00:44:02,270 --> 00:43:59,280
um into trying to acknowledge some of

947
00:44:04,670 --> 00:44:02,280
the kind of musical style here just

948
00:44:06,890 --> 00:44:04,680
reintroduce

949
00:44:08,990 --> 00:44:06,900
things that you think might be better

950
00:44:12,109 --> 00:44:09,000
for you just like somebody who's got

951
00:44:14,990 --> 00:44:12,119
addicted to junk food

952
00:44:18,410 --> 00:44:15,000
might start to introduce healthy food

953
00:44:21,530 --> 00:44:18,420
back in and learn how to enjoy it again

954
00:44:25,550 --> 00:44:21,540
for the sake of their own health

955
00:44:28,730 --> 00:44:25,560
this is such to me this is such a big

956
00:44:30,829 --> 00:44:28,740
deal and such a big issue because music

957
00:44:33,710 --> 00:44:30,839
is something that almost everybody is

958
00:44:35,390 --> 00:44:33,720
heavily Reliant upon even if it is you

959
00:44:36,950 --> 00:44:35,400
know not when you're relaxing or you're

960
00:44:39,650 --> 00:44:36,960
driving in your car and you turn it on

961
00:44:43,190 --> 00:44:39,660
it's infiltrated every portion of our

962
00:44:47,030 --> 00:44:43,200
lives and but besides you know if this

963
00:44:49,010 --> 00:44:47,040
music is repetitive and uh demonic and

964
00:44:50,990 --> 00:44:49,020
it's keeping people down as we mentioned

965
00:44:53,510 --> 00:44:51,000
with hip-hop and rap music as well as

966
00:44:55,190 --> 00:44:53,520
others a lot of pop music it's keeping

967
00:44:57,950 --> 00:44:55,200
people down idolizing material

968
00:45:00,950 --> 00:44:57,960
possessions and kind of losing empathy

969
00:45:03,290 --> 00:45:00,960
for our fellow humans not to mention if

970
00:45:06,010 --> 00:45:03,300
these Elites at the top of these

971
00:45:09,650 --> 00:45:06,020
mysterious groups that are in touch with

972
00:45:11,690 --> 00:45:09,660
non-corporeal entities as alluded to

973
00:45:13,970 --> 00:45:11,700
wouldn't it make sense

974
00:45:16,430 --> 00:45:13,980
that they would want to feed these

975
00:45:20,530 --> 00:45:16,440
arconic entities and that they are in

976
00:45:24,290 --> 00:45:20,540
fact doing so by by promoting this music

977
00:45:27,050 --> 00:45:24,300
it does also seem that this electronic

978
00:45:28,970 --> 00:45:27,060
music sort of fits perfectly into this

979
00:45:31,490 --> 00:45:28,980
transhuman agenda

980
00:45:32,809 --> 00:45:31,500
and it brings me back you know um to

981
00:45:35,030 --> 00:45:32,819
that saying there's nothing new Under

982
00:45:37,670 --> 00:45:35,040
the Sun I think it was Helena blavatsky

983
00:45:39,650 --> 00:45:37,680
that said the religion of the Ancients

984
00:45:41,690 --> 00:45:39,660
is the religion of the future and it

985
00:45:44,809 --> 00:45:41,700
does seem as if we've been down this

986
00:45:47,210 --> 00:45:44,819
path before where where does electronic

987
00:45:50,270 --> 00:45:47,220
music and the transhumanist agenda do

988
00:45:52,010 --> 00:45:50,280
you think that these are merging

989
00:45:55,430 --> 00:45:52,020
well

990
00:45:58,910 --> 00:45:55,440
let's be honest music in its originality

991
00:46:02,630 --> 00:45:58,920
in its in its origin inside humans was

992
00:46:04,609 --> 00:46:02,640
an entirely human produced

993
00:46:07,490 --> 00:46:04,619
phenomenon

994
00:46:10,130 --> 00:46:07,500
um and that was

995
00:46:12,650 --> 00:46:10,140
something that lasted for tens of

996
00:46:14,230 --> 00:46:12,660
thousands of years if not hundreds of

997
00:46:17,390 --> 00:46:14,240
thousands of years yeah

998
00:46:19,309 --> 00:46:17,400
it I know I I do not know whether there

999
00:46:22,270 --> 00:46:19,319
were other episodes in history that have

1000
00:46:26,329 --> 00:46:22,280
been lost to our to our memories where

1001
00:46:29,809 --> 00:46:26,339
we stepped out from this at another time

1002
00:46:32,390 --> 00:46:29,819
but we are in a place right now where

1003
00:46:33,710 --> 00:46:32,400
the the manner in which music is

1004
00:46:35,930 --> 00:46:33,720
produced

1005
00:46:39,349 --> 00:46:35,940
is something quite unlike anything that

1006
00:46:42,109 --> 00:46:39,359
we have been genetically adapted to yeah

1007
00:46:45,170 --> 00:46:42,119
um with the use of computers

1008
00:46:48,050 --> 00:46:45,180
it is possible to produce sounds which

1009
00:46:50,150 --> 00:46:48,060
are then marketed as music

1010
00:46:56,569 --> 00:46:50,160
which are not only

1011
00:46:59,270 --> 00:46:56,579
um devoid of any uh input from humans in

1012
00:47:02,450 --> 00:46:59,280
the production of that sound you know as

1013
00:47:05,030 --> 00:47:02,460
in there there is no human muscle uh

1014
00:47:07,130 --> 00:47:05,040
pushing a column of air through a pipe

1015
00:47:10,190 --> 00:47:07,140
or blocking a string or whatever it

1016
00:47:13,430 --> 00:47:10,200
might be it's purely come from uh

1017
00:47:16,250 --> 00:47:13,440
digital calculations

1018
00:47:19,730 --> 00:47:16,260
there's not just that to it but

1019
00:47:23,329 --> 00:47:19,740
with modern music uh sound technology

1020
00:47:25,910 --> 00:47:23,339
it's possible to produce sounds to put

1021
00:47:27,829 --> 00:47:25,920
down on CDs or MP3s or whatever it is

1022
00:47:29,630 --> 00:47:27,839
that

1023
00:47:32,329 --> 00:47:29,640
physically

1024
00:47:34,190 --> 00:47:32,339
couldn't exist in the real world being

1025
00:47:38,329 --> 00:47:34,200
produced by

1026
00:47:40,010 --> 00:47:38,339
uh a self-vibrating object

1027
00:47:43,550 --> 00:47:40,020
yeah

1028
00:47:45,050 --> 00:47:43,560
just just to give you a a one single

1029
00:47:49,370 --> 00:47:45,060
incident so that everybody can

1030
00:47:51,890 --> 00:47:49,380
understand the use of reverse Reverb

1031
00:47:54,109 --> 00:47:51,900
yeah when some when when you hear Reverb

1032
00:47:55,609 --> 00:47:54,119
and it gets louder into the moment just

1033
00:47:56,770 --> 00:47:55,619
before you actually hear the sound that

1034
00:48:00,770 --> 00:47:56,780
it's been

1035
00:48:04,370 --> 00:48:00,780
uh produced by this is a physically

1036
00:48:08,930 --> 00:48:04,380
impossible thing to do in the real world

1037
00:48:10,849 --> 00:48:08,940
now if music is containing sounds

1038
00:48:13,309 --> 00:48:10,859
now if you know modern music is

1039
00:48:17,089 --> 00:48:13,319
containing sounds which are

1040
00:48:20,210 --> 00:48:17,099
not of this Physical Realm

1041
00:48:24,290 --> 00:48:20,220
well then where are they coming from

1042
00:48:27,890 --> 00:48:24,300
who is in control of those and who is

1043
00:48:29,450 --> 00:48:27,900
more of a Denizen of that non-physical

1044
00:48:31,670 --> 00:48:29,460
world

1045
00:48:35,510 --> 00:48:31,680
and why are they pushing their values

1046
00:48:40,609 --> 00:48:38,690
that is a good point good point and it

1047
00:48:43,490 --> 00:48:40,619
reminds me of the Beastie Boys Paul

1048
00:48:44,710 --> 00:48:43,500
Revere song with that Rebecca anyway the

1049
00:48:47,329 --> 00:48:44,720
reverse

1050
00:48:49,130 --> 00:48:47,339
Reverb sure you know it's one of

1051
00:48:52,130 --> 00:48:49,140
hundreds of ways in which music is is

1052
00:48:54,829 --> 00:48:52,140
now becoming yeah sort of it's got

1053
00:48:57,410 --> 00:48:54,839
nothing to do with the way that uh

1054
00:48:59,270 --> 00:48:57,420
objects in in the real world besides a

1055
00:49:02,450 --> 00:48:59,280
speaker cone being pushed by Electric

1056
00:49:05,510 --> 00:49:02,460
could produce any kind of sound the good

1057
00:49:09,410 --> 00:49:05,520
news is through the work of people like

1058
00:49:12,410 --> 00:49:09,420
yourself however we can Implement a

1059
00:49:14,930 --> 00:49:12,420
positive attitude as well not only

1060
00:49:17,690 --> 00:49:14,940
you know in what we listen to but in our

1061
00:49:20,089 --> 00:49:17,700
life and um let other people blame the

1062
00:49:22,910 --> 00:49:20,099
music they listen to how can we break

1063
00:49:24,710 --> 00:49:22,920
this system better ourselves

1064
00:49:28,569 --> 00:49:24,720
through music

1065
00:49:32,270 --> 00:49:28,579
okay well for the the folk who are not

1066
00:49:34,490 --> 00:49:32,280
musicians but are simply lovers of music

1067
00:49:38,030 --> 00:49:34,500
I've produced

1068
00:49:41,270 --> 00:49:38,040
um a little course called

1069
00:49:42,670 --> 00:49:41,280
um soul food or poisonous music which

1070
00:49:45,770 --> 00:49:42,680
you can find on the

1071
00:49:48,349 --> 00:49:45,780
consciousmusicschool.com which is

1072
00:49:50,270 --> 00:49:48,359
um a little study at home course that

1073
00:49:53,930 --> 00:49:50,280
will take you two three months to get

1074
00:49:55,390 --> 00:49:53,940
through which brings your

1075
00:49:59,930 --> 00:49:55,400
um

1076
00:50:02,270 --> 00:49:59,940
awareness of what values and influences

1077
00:50:04,730 --> 00:50:02,280
are going through the music that you are

1078
00:50:06,770 --> 00:50:04,740
listening to it brings that awareness up

1079
00:50:09,589 --> 00:50:06,780
to the point that you can begin to make

1080
00:50:11,870 --> 00:50:09,599
much more conscious choices about what

1081
00:50:14,809 --> 00:50:11,880
music you are listening to and why you

1082
00:50:16,609 --> 00:50:14,819
are listening to it so that's for the

1083
00:50:20,109 --> 00:50:16,619
the music lovers who are not actually

1084
00:50:22,609 --> 00:50:20,119
involved in music production itself

1085
00:50:27,050 --> 00:50:22,619
non-musicians if you like

1086
00:50:30,410 --> 00:50:27,060
for the musicians well I've been

1087
00:50:33,770 --> 00:50:30,420
playing and changing about with ideas of

1088
00:50:34,910 --> 00:50:33,780
courses and you know as soon as this is

1089
00:50:36,710 --> 00:50:34,920
something that I haven't been doing for

1090
00:50:38,750 --> 00:50:36,720
an awful long time on the internet I've

1091
00:50:41,030 --> 00:50:38,760
been taking a lot of advice from

1092
00:50:44,390 --> 00:50:41,040
marketers and things trying to get

1093
00:50:47,150 --> 00:50:44,400
courses ready for musicians and

1094
00:50:49,190 --> 00:50:47,160
truthfully at the end of it

1095
00:50:51,710 --> 00:50:49,200
I don't really want any of this I want

1096
00:50:53,329 --> 00:50:51,720
some simple one-on-one contact with

1097
00:50:55,069 --> 00:50:53,339
human beings

1098
00:50:57,589 --> 00:50:55,079
what I'd like

1099
00:51:00,950 --> 00:50:57,599
are some apprentices

1100
00:51:04,270 --> 00:51:00,960
I'd like to stay calm

1101
00:51:07,910 --> 00:51:04,280
some students who are

1102
00:51:11,510 --> 00:51:07,920
past the point of perhaps grade three or

1103
00:51:13,670 --> 00:51:11,520
four in their technical playing already

1104
00:51:17,990 --> 00:51:13,680
and I would like to introduce these

1105
00:51:19,970 --> 00:51:18,000
people to a manner of making music that

1106
00:51:21,170 --> 00:51:19,980
they have probably never encountered

1107
00:51:23,210 --> 00:51:21,180
before

1108
00:51:25,970 --> 00:51:23,220
a manner

1109
00:51:29,150 --> 00:51:25,980
where I teach Beyond technical or

1110
00:51:33,230 --> 00:51:29,160
interpretive skills I teach how to be an

1111
00:51:36,230 --> 00:51:33,240
artist from the inside out

1112
00:51:39,109 --> 00:51:36,240
so I start from

1113
00:51:41,569 --> 00:51:39,119
digging in people's psyches about what

1114
00:51:44,809 --> 00:51:41,579
are your values for music what are you

1115
00:51:46,250 --> 00:51:44,819
doing it for why are you producing music

1116
00:51:48,410 --> 00:51:46,260
because

1117
00:51:49,670 --> 00:51:48,420
a lot of people myself included in my

1118
00:51:52,430 --> 00:51:49,680
younger years

1119
00:51:54,829 --> 00:51:52,440
uh lie to ourselves

1120
00:51:56,690 --> 00:51:54,839
about why we are producing music there's

1121
00:51:59,569 --> 00:51:56,700
a lot of it which gets hooked up with

1122
00:52:02,870 --> 00:51:59,579
the ego and with self-recognition

1123
00:52:05,930 --> 00:52:02,880
and then somewhere later on in our

1124
00:52:08,930 --> 00:52:05,940
musical careers we begin to notice that

1125
00:52:10,730 --> 00:52:08,940
uh people are being affected by our

1126
00:52:13,069 --> 00:52:10,740
music and then we start to tell stories

1127
00:52:15,890 --> 00:52:13,079
about what is our relationship to our

1128
00:52:17,450 --> 00:52:15,900
listeners but actually in the in the

1129
00:52:21,349 --> 00:52:17,460
beginning states of it

1130
00:52:23,390 --> 00:52:21,359
we're in a a place of self-illusion

1131
00:52:27,049 --> 00:52:23,400
about why we're doing what we're doing

1132
00:52:30,770 --> 00:52:27,059
and the way that I teach I begin from

1133
00:52:31,849 --> 00:52:30,780
that very very deep inside place of the

1134
00:52:34,910 --> 00:52:31,859
values of

1135
00:52:38,030 --> 00:52:34,920
what it is why you're doing it

1136
00:52:39,829 --> 00:52:38,040
so that you can come from a clean slate

1137
00:52:41,630 --> 00:52:39,839
rather than from a place which is

1138
00:52:44,870 --> 00:52:41,640
already

1139
00:52:48,430 --> 00:52:44,880
solid with you know lies coming from the

1140
00:52:52,069 --> 00:52:48,440
ego about what it is that you're doing

1141
00:52:54,410 --> 00:52:52,079
and values being the starting point

1142
00:52:58,549 --> 00:52:54,420
we then move on to the human aspects of

1143
00:53:03,049 --> 00:52:58,559
actually being an artist successfully

1144
00:53:10,430 --> 00:53:07,069
that has the uh skill set and the

1145
00:53:12,950 --> 00:53:10,440
intention of doing something good for

1146
00:53:15,589 --> 00:53:12,960
the human race rather than simply

1147
00:53:17,809 --> 00:53:15,599
whatever it is that gets me noticed

1148
00:53:20,450 --> 00:53:17,819
whatever it is that gets me notorious

1149
00:53:22,609 --> 00:53:20,460
yeah

1150
00:53:23,930 --> 00:53:22,619
because in the end

1151
00:53:25,490 --> 00:53:23,940
um

1152
00:53:28,849 --> 00:53:25,500
in its group

1153
00:53:31,309 --> 00:53:28,859
music stopped in the imagination

1154
00:53:34,250 --> 00:53:31,319
yeah some of the the most astonishing

1155
00:53:36,170 --> 00:53:34,260
music ever written uh late Beethoven the

1156
00:53:37,970 --> 00:53:36,180
late Beethoven quartets and the Ninth

1157
00:53:39,950 --> 00:53:37,980
Symphony and such things

1158
00:53:41,390 --> 00:53:39,960
were written by a man who was profoundly

1159
00:53:43,849 --> 00:53:41,400
deaf

1160
00:53:48,349 --> 00:53:43,859
all of that music

1161
00:53:52,130 --> 00:53:48,359
was going on in Beethoven's mind

1162
00:53:55,130 --> 00:53:52,140
not even on a piano in front of him by

1163
00:53:57,109 --> 00:53:55,140
the time he got it out onto a score yes

1164
00:53:59,990 --> 00:53:57,119
there were instruments involved but in

1165
00:54:02,150 --> 00:54:00,000
its original conception and actually in

1166
00:54:04,809 --> 00:54:02,160
the conception of many musicians with

1167
00:54:07,430 --> 00:54:04,819
great imagination

1168
00:54:09,410 --> 00:54:07,440
the start of music

1169
00:54:11,630 --> 00:54:09,420
is a place that nobody else can hear

1170
00:54:13,490 --> 00:54:11,640
it's inside the mind

1171
00:54:14,930 --> 00:54:13,500
now how does that compare with most

1172
00:54:17,030 --> 00:54:14,940
people's ways of

1173
00:54:18,950 --> 00:54:17,040
setting out writing a tune nowadays

1174
00:54:21,290 --> 00:54:18,960
where they get a a digital audio

1175
00:54:23,450 --> 00:54:21,300
workstation app and lay a fat beat down

1176
00:54:25,609 --> 00:54:23,460
and then sit there listening to it for

1177
00:54:27,470 --> 00:54:25,619
25 minutes going what samples should I

1178
00:54:30,170 --> 00:54:27,480
layer on top of this

1179
00:54:33,730 --> 00:54:30,180
yeah exactly

1180
00:54:35,809 --> 00:54:33,740
then finally when you've got that mind

1181
00:54:37,730 --> 00:54:35,819
skill set

1182
00:54:40,430 --> 00:54:37,740
working properly

1183
00:54:42,470 --> 00:54:40,440
then I begin to talk about the

1184
00:54:44,089 --> 00:54:42,480
technicality of how you bring that out

1185
00:54:46,970 --> 00:54:44,099
into the world

1186
00:54:50,150 --> 00:54:46,980
so I'm looking for some

1187
00:54:52,549 --> 00:54:50,160
apprentices some students who would like

1188
00:54:55,730 --> 00:54:52,559
who well first of all who have an

1189
00:54:58,970 --> 00:54:55,740
understanding that we have gone down

1190
00:55:02,450 --> 00:54:58,980
a dangerous path with music and would

1191
00:55:05,210 --> 00:55:02,460
like to do something about that have the

1192
00:55:07,849 --> 00:55:05,220
passion that they actually want to be an

1193
00:55:12,190 --> 00:55:07,859
artist that is bringing good to the

1194
00:55:14,990 --> 00:55:12,200
human race That's my kind of uh

1195
00:55:17,030 --> 00:55:15,000
that that's my boundary you have to

1196
00:55:20,569 --> 00:55:17,040
already have that intention before you

1197
00:55:24,470 --> 00:55:22,670
um

1198
00:55:28,069 --> 00:55:24,480
and for those that would like to learn

1199
00:55:31,069 --> 00:55:28,079
from me I'll let you know I charge at 60

1200
00:55:33,049 --> 00:55:31,079
pounds for an hour's tuition I would

1201
00:55:35,510 --> 00:55:33,059
like people to come weekly but if that's

1202
00:55:38,329 --> 00:55:35,520
too much people could come fortnightly

1203
00:55:40,670 --> 00:55:38,339
so long as they do a decent Fortnight to

1204
00:55:43,010 --> 00:55:40,680
practice in between lessons

1205
00:55:45,829 --> 00:55:43,020
now that might sound like a lot of money

1206
00:55:49,010 --> 00:55:45,839
but let me just remind you I've taken 40

1207
00:55:51,049 --> 00:55:49,020
Years of Music study I've been teaching

1208
00:55:52,549 --> 00:55:51,059
for 30 years

1209
00:55:55,130 --> 00:55:52,559
I have

1210
00:55:57,589 --> 00:55:55,140
um as much experience as a professor in

1211
00:55:59,990 --> 00:55:57,599
a college that and you know that that

1212
00:56:02,690 --> 00:56:00,000
professor in that college would nowadays

1213
00:56:03,589 --> 00:56:02,700
be charging way more than that for a

1214
00:56:05,510 --> 00:56:03,599
lesson

1215
00:56:07,370 --> 00:56:05,520
and I have students from more than a

1216
00:56:10,549 --> 00:56:07,380
decade ago who are already charging 40

1217
00:56:14,030 --> 00:56:10,559
pounds an hour for their piano lessons

1218
00:56:16,970 --> 00:56:14,040
so my iconoclastic teaching method

1219
00:56:19,130 --> 00:56:16,980
is something that well I I can't promise

1220
00:56:20,750 --> 00:56:19,140
that you won't find anywhere else but I

1221
00:56:23,329 --> 00:56:20,760
can tell you this I've not heard of

1222
00:56:26,030 --> 00:56:23,339
anybody else doing this yet

1223
00:56:29,870 --> 00:56:26,040
and part of what I want from my

1224
00:56:32,930 --> 00:56:29,880
um students from my apprentices is that

1225
00:56:35,750 --> 00:56:32,940
they start teaching like this I don't

1226
00:56:39,290 --> 00:56:35,760
want to be the only person doing this at

1227
00:56:42,290 --> 00:56:39,300
all the whole point of coining this

1228
00:56:44,750 --> 00:56:42,300
phrase the conscious music school is not

1229
00:56:48,589 --> 00:56:44,760
to just talk about a bricks and mortar

1230
00:56:50,390 --> 00:56:48,599
uh school or even an online school I

1231
00:56:52,549 --> 00:56:50,400
want people to think about the conscious

1232
00:56:55,309 --> 00:56:52,559
Music School the way they conceive of

1233
00:56:58,250 --> 00:56:55,319
the Romantic School the classical school

1234
00:56:59,150 --> 00:56:58,260
the Baroque school it's a cannon of

1235
00:57:01,130 --> 00:56:59,160
thought

1236
00:57:03,890 --> 00:57:01,140
that takes root

1237
00:57:05,690 --> 00:57:03,900
and Blossoms

1238
00:57:08,450 --> 00:57:05,700
and I want

1239
00:57:10,190 --> 00:57:08,460
whoever's listening who I've just set

1240
00:57:12,650 --> 00:57:10,200
their heart on fire talking about this

1241
00:57:13,370 --> 00:57:12,660
who come and find me and to be part of

1242
00:57:16,250 --> 00:57:13,380
that

1243
00:57:19,430 --> 00:57:16,260
you are a leader of a musical revolution

1244
00:57:22,069 --> 00:57:19,440
in my opinion and you've chosen the hard

1245
00:57:25,069 --> 00:57:22,079
path the path of responsibility hard

1246
00:57:27,170 --> 00:57:25,079
work and sacrifice discipline humility

1247
00:57:31,250 --> 00:57:27,180
and ownership that's going to ultimately

1248
00:57:34,370 --> 00:57:31,260
lead people to Freedom musically where

1249
00:57:36,950 --> 00:57:34,380
can folks get in touch with you start

1250
00:57:40,670 --> 00:57:36,960
this process I you know I recently have

1251
00:57:43,309 --> 00:57:40,680
been looking at for my toddler just uh

1252
00:57:45,290 --> 00:57:43,319
piano courses and you know I don't think

1253
00:57:47,690 --> 00:57:45,300
your prices are unreasonable I mean just

1254
00:57:49,970 --> 00:57:47,700
try booking any kind of music teacher

1255
00:57:51,890 --> 00:57:49,980
for anything and your prices are

1256
00:57:54,470 --> 00:57:51,900
actually quite reasonable where can

1257
00:57:57,049 --> 00:57:54,480
people if motivated and they want to go

1258
00:57:59,809 --> 00:57:57,059
down this path get in touch with you and

1259
00:58:02,030 --> 00:57:59,819
uh start living a better life

1260
00:58:05,450 --> 00:58:02,040
okay well the two easiest places to find

1261
00:58:09,049 --> 00:58:05,460
me are on the net or app the

1262
00:58:14,390 --> 00:58:12,049
or if you can find me on Facebook where

1263
00:58:16,190 --> 00:58:14,400
there is a page if you just put in the

1264
00:58:18,109 --> 00:58:16,200
search function in Facebook the

1265
00:58:19,250 --> 00:58:18,119
conscious music school you'll find a

1266
00:58:20,990 --> 00:58:19,260
page there where you can get in contact

1267
00:58:23,569 --> 00:58:21,000
with me as well

1268
00:58:26,750 --> 00:58:23,579
excellent I can't thank you enough for

1269
00:58:29,450 --> 00:58:26,760
coming on today uh Simon it's you you

1270
00:58:33,950 --> 00:58:29,460
have had an extreme measure of success

1271
00:58:36,950 --> 00:58:33,960
in my opinion at bringing this amazing

1272
00:58:38,750 --> 00:58:36,960
information to the public you know a lot

1273
00:58:40,609 --> 00:58:38,760
of people are happy living the

1274
00:58:43,670 --> 00:58:40,619
undisciplined life and listening to

1275
00:58:46,190 --> 00:58:43,680
music that is unhealthy is food

1276
00:58:50,690 --> 00:58:46,200
unhealthy food for the soul I like that

1277
00:58:52,730 --> 00:58:50,700
that correlation to the food analogy and

1278
00:58:55,250 --> 00:58:52,740
I think we're more capable than that and

1279
00:58:56,690 --> 00:58:55,260
we can actually enrich our lives through

1280
00:58:59,510 --> 00:58:56,700
music and I think you're doing an

1281
00:59:00,829 --> 00:58:59,520
excellent job of uh teaching that so

1282
00:59:02,750 --> 00:59:00,839
thanks so much

1283
00:59:03,890 --> 00:59:02,760
well thank you for helping me put the

1284
00:59:07,730 --> 00:59:03,900
word out

1285
00:59:08,809 --> 00:59:07,740
it is always so Illuminating talking to

1286
00:59:12,049 --> 00:59:08,819
Simon

1287
00:59:14,690 --> 00:59:12,059
he is the tip of the spear when it comes

1288
00:59:17,930 --> 00:59:14,700
to this knowledge in my opinion it is

1289
00:59:20,270 --> 00:59:17,940
important to mention about his teaching

1290
00:59:23,089 --> 00:59:20,280
that he doesn't exclusively teach

1291
00:59:26,349 --> 00:59:23,099
classical music he simply espouses the

1292
00:59:28,910 --> 00:59:26,359
values of it and wishes to reintroduce

1293
00:59:30,650 --> 00:59:28,920
some of those values back into

1294
00:59:33,950 --> 00:59:30,660
contemporary music

1295
00:59:37,549 --> 00:59:33,960
I found Simon through a mutual friend

1296
00:59:40,549 --> 00:59:37,559
and podcaster Chris Matthew of the

1297
00:59:44,150 --> 00:59:40,559
Forbidden Knowledge News Network

1298
00:59:49,010 --> 00:59:44,160
if you haven't heard of fkn

1299
00:59:50,750 --> 00:59:49,020
and the podcast I highly recommend it

1300
00:59:53,150 --> 00:59:50,760
so now we know

1301
00:59:54,349 --> 00:59:53,160
there are influences in the music

1302
00:59:57,710 --> 00:59:54,359
industry

1303
00:59:59,450 --> 00:59:57,720
that some secretive groups without the

1304
01:00:03,170 --> 00:59:59,460
best of intentions

1305
01:00:06,670 --> 01:00:03,180
are using to get their messages of

1306
01:00:11,329 --> 01:00:06,680
destructive secret soul-sucking

1307
01:00:13,190 --> 01:00:11,339
campaigns out to influence the worldwide

1308
01:00:17,030 --> 01:00:13,200
population

1309
01:00:20,390 --> 01:00:17,040
some claim sexual depressive and violent

1310
01:00:24,589 --> 01:00:20,400
content are pushed on us as youth

1311
01:00:27,170 --> 01:00:24,599
through pop music hip-hop and rap

1312
01:00:29,030 --> 01:00:27,180
and we drag this emotional baggage with

1313
01:00:31,670 --> 01:00:29,040
us through our adulthood

1314
01:00:34,270 --> 01:00:31,680
I know I grew up with and still enjoy

1315
01:00:35,930 --> 01:00:34,280
listening to Snippets of

1316
01:00:39,710 --> 01:00:35,940
NWA

1317
01:00:41,870 --> 01:00:39,720
the Beastie Boys Too Short Public Enemy

1318
01:00:43,430 --> 01:00:41,880
it's in my brain

1319
01:00:46,130 --> 01:00:43,440
question is

1320
01:00:48,890 --> 01:00:46,140
how do we build more positivity in our

1321
01:00:50,510 --> 01:00:48,900
lives through music now that the damage

1322
01:00:51,650 --> 01:00:50,520
is done

1323
01:00:54,430 --> 01:00:51,660
well

1324
01:00:57,470 --> 01:00:54,440
Simon offers us an option

1325
01:00:59,690 --> 01:00:57,480
subscribe to Simon's courses and classes

1326
01:01:02,630 --> 01:00:59,700
all of his efforts

1327
01:01:05,750 --> 01:01:02,640
and keep up with him on social media

1328
01:01:08,750 --> 01:01:05,760
to catch the latest greatest work by

1329
01:01:11,150 --> 01:01:08,760
this outstanding individual

1330
01:01:12,109 --> 01:01:11,160
until next time keep your eyes to the

1331
01:01:15,530 --> 01:01:12,119
skies

1332
01:01:22,930 --> 01:01:15,540
feet on the ground but don't forget to

1333
01:01:33,109 --> 01:01:25,160
all right

1334
01:01:36,650 --> 01:01:33,119
[Music]

1335
01:01:40,210 --> 01:01:36,660
come Blast Off In My Time Machine sir I